Favourite Poet: Sheldon Allan Silverstein

Shel Silverstein was a renowned poet, playwright, illustrator, screenwriter, and songwriter. Best known for his immensely popular children’s books including The Giving Tree, Falling Up, and A Light in the Attic, Silverstein has made tens of millions of readers around the world delighted, becoming one of the most popular and most favourite children's authors of all time. He was born in Chicago on September 25, 1930. Silverstein drew his first cartoons for the adult readers of Pacific Stars and Stripes when he was a G.I. in Japan and Korea in the 1950’s. He also learned to play the guitar and to write songs. Shel Silverstein never planned on writing for children. In the early 1960’s Tomi Ungerer, a friend whose own career in children’s books was blossoming, introduced Silverstein to his editor, Harper Collins’ legendary Ursula Nordstrom. That connection led to the publication of The Giving Tree in 1964. The book sold modestly at first, but soon the gentle parable about a boy and the tree that loved him was admired by readers of all ages, recommended by counselors and teachers, and being read aloud from pulpits. Decades after its initial publication, with more than five and a half million copies sold, The Giving Tree holds a permanent spot atop lists of perennial bestsellers. Where the Sidewalk Ends, Shel Silverstein’s first collection of poems, was published in 1974 and was hailed as an instant classic. Its poems and drawings were applauded for their zany wit, irreverent wisdom, and tender heart. Two more collections followed: A Light in the Attic in 1981, and Falling Up in 1996. Both books dominated bestseller lists for months, with A Light in the Attic shattering all previous records for its 182-week stay on the New York Times list. His poetry books are widely used in schools as a child’s first introduction to poetry. Silverstein enjoyed a long, successful career as a songwriter with credits that included the popular “Unicorn Song” for the Irish Rovers and “I’m Checking Out” written for the film Postcards from the Edge and nominated for an Academy Award in 1991. In 1984, Silverstein won a Grammy Award for Best Children’s Album for Where the Sidewalk Ends – “recited, sung and shouted” by the author. He performed his own songs on a number of albums and wrote others for friends, including 1998’s Old Dogs with country stars Waylon Jennings, Mel Tillis, Bobby Bare, and Jerry Reed; and his last children’s recording Underwater Land with singer/songwriter and longtime friend Pat Dailey. Shel Silverstein loved to spend time in Greenwich Village, Key West, Martha’s Vineyard, and Sausalito, California. Up until his death in May 1999, he continued to create plays, songs, poems, stories, and drawings, and most importantly, in Shel’s own words, “have a good time.” Those good times show in the charm and humor of Underwater Land. Its seventeen tracks are a perfect blend of Silverstein’s irreverent wit and Dailey’s inviting vocal style. Produced by Silverstein, and featuring his whimsical artwork, the CD is now available from Olympia Records. I think his poems are quite nice to read. Below is one of his poems.

A Boy Named Sue by Shel Silverstein

Well, my daddy left home when I was three,
and he didn't leave much to Ma and me,
just this old guitar and a bottle of booze.
Now I don't blame him because he run and hid,
but the meanest thing that he ever did was
before he left he went and named me Sue.
Well, he must have thought it was quite a joke,
and it got lots of laughs from a lot of folks,
it seems I had to fight my whole life through.
Some gal would giggle and I'd get red
and some guy would laugh and I'd bust his head,
I tell you, life ain't easy for a boy named Sue.
Well, I grew up quick and I grew up mean.
My fist got hard and my wits got keen.
Roamed from town to town to hide my shame,
but I made me a vow to the moon and the stars,
I'd search the honky tonks and bars and kill
that man that gave me that awful name.
But it was Gatlinburg in mid July and I had
just hit town and my throat was dry.
I'd thought i'd stop and have myself a brew.
At an old saloon in a street of mud
and at a table dealing stud sat the dirty,
mangy dog that named me Sue.
Well, I knew that snake was my own sweet dad
from a worn-out picture that my mother had
and I knew the scar on his cheek and his evil eye.
He was big and bent and gray and old
and I looked at him and my blood ran cold,
and I said, "My name is Sue. How do you do?
Now you're gonna die." Yeah, that's what I told him.
Well, I hit him right between the eyes and he went down
but to my surprise he came up with a knife
and cut off a piece of my ear. But I busted a chair
right across his teeth. And we crashed through
the wall and into the street kicking and a-gouging
in the mud and the blood and the beer.
I tell you I've fought tougher men but I really can't remember when.
He kicked like a mule and bit like a crocodile.
I heard him laughin' and then I heard him cussin',
he went for his gun and I pulled mine first.
He stood there looking at me and I saw him smile.
And he said, "Son, this world is rough and if
a man's gonna make it, he's gotta be tough
and I knew I wouldn't be there to help you along.
So I gave you that name and I said 'Goodbye'.
I knew you'd have to get tough or die. And it's
that name that helped to make you strong.
"Yeah, he said, "Now you have just fought one
helluva fight, and I know you hate me and you've
got the right to kill me now and I wouldn't blame you
if you do. But you ought to thank me
before I die for the gravel in your guts and the spit
in your eye because I'm the nut that named you Sue.
"Yeah, what could I do? What could I do?
I got all choked up and I threw down my gun,
called him pa and he called me a son,
and I came away with a different point of view
and I think about him now and then.
Every time I tried, every time I win and if I
ever have a son I think I am gonna name him
Bill or George - anything but Sue.

Figurative Language

A Dream Within A Dream by Edgar Allan Poe

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow--
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.
I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand--
How few! yet how they creep
Through my fingers to the deep,
While I weep--while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

This poem used some hyperbole, for example the word "O God!" and "a dream within a dream" , it is repeated a few times.
I like the above poem as it uses hyperbole to exaggerate the poet's emotions for example "O God!" and "a dream within a dream". The last word of each line also rhymes with the last word of the next line, take line 1, line 2, line 4 and line 5 as an example. In line 1 and line 2, the word brow rhymes with now. In line 4 and line 5, the word deem rhymes with dream. In some lines, the poet also wrote things in a form of asking a question for example line 10, line 19, line 21 and line 23. To conclude, I like this poem.

I rather be the city rat than the country rat

I rather be the city rat than the country rat. The reason is that i am already used to being a city rat. Even thouh i also like to be a country rat as in the country side, it is peaceful and quite, but if i go to the city, i will turn into a country bumpkin, so i rather be a city rat. In the city, i could get more jobs and can recieve better education and can have more knowledge about the world. We can discover more things using the technologies in the city as the city have better technology than the countryside. I could have better luxury in the city than the countryside as i do not need to do farming and other though and more tiring jobs in the city. To conclude, i rather be a city rat than a country rat.

Confessions of a ................................

Confesion of a mistake is something good as it will make you feel better. I normally confess a mistake that i had done in school or other places to my parents and never failed to confess once even i know that my parents might scold and punish me severely. If i did not confess a mistake that i had done, i will definitely feel terrible, but after i confess, i will definitely feel better after that. If you had done something bad, be brave and thrust me, you will feel much more better. If your parents reprimand you or your parents call the police, just appreciate it as it is for your own good.

Is progress necessarily benificial for society?

Yes, it is benificial for society. If the society does not improve, there will be no new technologies. There will not be any new discoveries and people will not have any new knowledge. There also will be no new medicines for people to take when they are sick when new viruses appear as they do not have the technology and knowledge about finding and discovering new viruses. Without improving, we might still be living in the past. People might still be travelling on land in rickshaws, people might still be travelling to another country in ships and people might still be living in huts, rearing chickens, pigs, ducks etc. Without improving, we might not even have schools for us to attend to. We might have riots and strikes occuring now and then.

Which character do i like in Village by the Sea ?

In Village by the sea, I like the character, Hari, the most. I like Hari as he is the main character, so he is in most parts of the story and his adventure is amazing. He is also quite a learner but a bit of a pessimist. He also acts as a father-like brother which takes care of his family and earn money for his family. I think he is very brave and strong in the story as many people could have already give up if they have a life which is exactly the same as Hari as Hari encountered many difficulties and problems which includes taking care of the family which includes three sisters and his parents and earning money for his own family. I feel quite pitiful towards Hari as he had many responsibilities and he probably had alot of pressure taking care of the family. I really admire him.

Which part of Village by the Sea do I like best?

I like everything in Village by the Sea after chapter 4. I do not like to starting part of the whole book as it is full of descrptive words that describe the surrounding environment and nature and it is not interesting at all and it is quite boring. When I started to read chapter 4, it was getting more interesting and interesting. It started to talk about the adventures Hari had and sometimes making me not to put the book down. It is something which I cannot put into words. I could just say that it was so interesting. Among all the parts from the book after chapter 4, one of the parts that I like is the part when Hari was going back to Thul. It gave me a sense of anticipation as I do not know what will happen next. To conclude, I just want to say that I like the book!